by Patrick Z. McGavin
With new films by Pedro Almodóvar and Sofia Coppola and extremely well-received work by lesser-known directors such as Nuri Bilge Ceylan, this year’s Cannes Film Festival once again grandly signaled the beginning of film’s summer season. For the second straight year, NYFA Current asked film critic Patrick Z. McGavin to chronicle the movies, mayhem, and martinis at Cannes. Read it here.
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