Showing posts with label Paul So. Show all posts
Showing posts with label Paul So. Show all posts

Monday, April 19, 2010

SOFAlab2

SOFAlab2

Scientists Visualize / Artists Experiment
Friday April 23, 2010, 2-2:45pm reception    
 3-5 pm panel discussion    @
George Mason University
Conference Room and Great Room



Welcome: Jim Olds, Director, Krasnow Institute for Advanced Study, George Mason University
Introduction of Panelists: Helen Frederick, Shanti Norris and Paul So

Panel (Speakers Info)
Giorgio A. Ascoli, Professor, Biochemistry and Neuroscience, GMU
Koan Jeff Baysa, Medical Doctor and Curator, New York
Michael Iacovone, New Media Artist, Baltimore
James Lindesay, Physics Professor, Howard University
Al Smith, Art Professor, Howard University
Virgil Wong, Artist, New York

Moderator: Paul So, Krasnow Institute & Department of Phys. & Astro.

Respondents: Shanti Norris, Smith Farm Center for Healing and the Arts and Helen Frederick, George Mason University School of Art and Design

The program supported by the Center for Consciousness and Transformation explores similarities and differences in how scientists and artists use experimentation and visualization in their search for larger truths and making sense of the universe, and how the way in which these tools are used affects consciousness, understanding and outcome. This dialog is also designed to prepare us for a series of "laboratory/studio" exchanges in which artists will be invited to observe and participate in laboratory sessions and scientists will be invited into artist's studios for collaborative projects.

Directions to the Krasnow Institute for Advanced Study at George Mason University

Please RSVP to Paul So

Funding for this program was provided by: Center for Consciousness and Transformation, George Mason University with support from Hamiltonian Artists, Smith Farm Center for Healing and the Arts,and George Mason University School of Art & Design.

Saturday, May 23, 2009

Western Artists and the Contemporary Asian Art Scene

Panel discussion at Hamiltonian Gallery
Saturday May 30, 6-8pm

There will be a reception immediately following the panel discussion.

Cost: $10 general public, $5 Millennium Art Salon members, and FREE for Millennium Art Salon Patron level members.

Hamiltonian Gallery and Millennium Art Salon announce Western Artists and the Contemporary Asian Art Scene, a collaborative panel discussion with three artists who share the commonality of living and/or working in China. The discussion is part of Millennium Art Salon's continuing series, Between East and West. This series of exhibitions, artist talks, and discussions address issues in contemporary art not only within the east and west borders of the continental US, but extending further east and west to Europe and Asia. The Panel Discussion will be led by Sheila Crider, Bryan McFarlane, and Paul So.

Sheila Crider is an abstract painter based in Washington, DC. She is interested in texture, pattern, line, color, form and sequence, and uses these ideas as a foundation for her work. With these ideas in mind, she uses western concepts to explore the role of "art" and "aesthetics" as referenced in traditional African and Asian societies in our contemporary society.

Bryan McFarlane, born and raised in Jamaica, is a professor of painting and drawing at the University of Massachusetts, Dartmouth. He has been a visiting artist at over 35 universities and museums throughout the United States, Europe, Latin America, and the Caribbean. He draws from his Jamaican roots and ancestry, to create work that celebrates culture and diversity.

Paul So is the owner and founder of Hamiltonian Artists, a new artist-centric fellowship program for aspiring innovative artists in Washington DC. Additionally, he is as physicist and an abstract painter, with strong interest in the interplay between colors and forms as expressed through nature. He is a Chinese American with a strong linkage to both his hometown in Hong Kong and his adopted home in Washington DC. While his art does not have an overt eastern aesthetic, his dual dialogue with nature through science and art embodies the eastern harmonious approach in appreciating nature.

The Hamiltonian Gallery
1353 U St. NW
Washington, DC.

For further information please contact Millennium Art Salon at 202-319-8988 or Hamiltonian Gallery at 202-332-1116.

Friday, March 27, 2009

Millenium Arts Salon

Between East and West
March 28 - May 30

Opening reception:
Saturday, March 28, 2009
6 - 8pm


Rachelle Puryear, Anne Bouie, Shelia Crider, Billy Colbert,
Paul So,
Barbra Blanco, Bill Dallas, Alonzo Davis, Bryan McFarlane


Millennium Arts Salon
1213 Girard Street NW
Washington, DC

Sunday, June 10, 2007

GMU prof and painter builds new art gallery, Hamiltonian at 14th and U

The gallery and its associated fellowship program are still in the early planning stage. Please visit the following websites for further information in the coming months.
http://HamiltonianGallery.com
http://HamiltonianGallery.org

"Picture it: The abandoned building at 14th and U turned into an art gallery where graduate art students can learn how to sell and market their art.

This idea brought to you by Paul So, physics professor at George Mason University." Washington Post Article by Amy Joyce Read it here.

also in the Washington Business Journal...

GMU prof and painter builds new art gallery

A physics professor at George Mason University is planning to open an art gallery and a nonprofit to help other artists at 14th and U streets NW. Paul So, an abstract acrylic painter in his free time, bought an historic building at 1353 U St. NW last November from Henry McCall for $1.3 million. He has submitted design plans created by Inscape Studio to D.C.'s Historic Preservation Office and received approval, but So says he won't start construction until August, after he gets his construction permits. The 2,791-square-foot gallery, situated between Republic Gardens and a wine store, will have 2,000 square feet to showcase artwork. So also plans to lease the second floor as office space and build two condominiums on top of the building.

So, who has been on a sabbatical for a year, starts teaching again in September. "Time is running out on me," he says. "I hope to get all of the organizational part done, so everything will be on track." He expects to open the gallery by spring 2008.
So's new gallery, called Hamiltonian, is named after West Hamilton, an African-American Army general who owned the building in the 1920s and ran Hamilton Printing, and William Rowan Hamilton, a well-known mathematician and physicist.
"Basically if you know the Hamilton of a certain system, you know everything," So says.

The gallery will open in a neighborhood with several other contemporary arts galleries, including Nevin Kelly Gallery, Hemphill Fine Arts, G Fine Art and Gallery Plan B. Artful teacher: Paul So teaches physics at George Mason University by day and paints abstracts in his free time. Now he plans to build an art gallery on U Street NW. So's model, however, is different from a traditional contemporary gallery. He will still charge the standard 40 to 50 percent commission to the commercial artists he shows for a month at a time, but he also plans to run a nonprofit in tandem with the commercial side to give opportunities to emerging artists. So says he'll take on 10 emerging artists for two years as "fellows." He'll bring in speakers including professors, local collectors and gallery owners who can tell the artists how to present their portfolios. "There are a lot of artists in the region," So says. "I talk to a lot of them, and they feel they need a safe house to transition to a more professional world."

So, who is originally from Hong Kong and went to high school in Hawaii, says he wishes he had that kind of help when he was a young painter. He got his Bachelor of Science degree from Harvey Mudd College and his Bachelor of Arts degree in studio arts from Scripps College in Claremont, Calif. in 1988. He moved to Greater Washington to get his doctorate in physics from the University of Maryland. At that time, So gave two art showings a year. But he says he didn't sell many of his paintings; he stopped altogether when he was writing his dissertation. So is still passionate about being involved in D.C.'s art world but says he needs help on the operational side. He'll hire a manager as well as a development manager for the nonprofit side of his business.

by Erin Killian

E-MAIL: EKILLIAN@BIZJOURNALS.COM