"THE PLEASURES HERE ARE WELL KNOWN"
February 8 - March 11, 2012
Opening Vernissage with the Artists:
February 11, 6:30-8:30pm, Music by Walker Road
@ Adah Rose Gallery
The printed word and the acquisition of language are the principal ideas in the work of John James Anderson. His first series, “Building Blocks,” adopts the playful vocabulary of pop art with familiar logos and graphics which require reading through a lens that is both nostalgic and cerebral. Mr. Anderson creates a graphic alphabet from the eye-catching lettering of soda cans, candy wrappers and cereal boxes. In his second series, “Out of Print,” language and the evolution of our collective literacy is also explored, this time in the decline of print journalism. Mr. Anderson collected the front pages of national newspapers and carefully erased portions of their content, resulting in graphic and poetic musings on the fate of mass communication.
Opening Vernissage with the Artists:
February 11, 6:30-8:30pm, Music by Walker Road
@ Adah Rose Gallery
about the artists
John James AndersonThe printed word and the acquisition of language are the principal ideas in the work of John James Anderson. His first series, “Building Blocks,” adopts the playful vocabulary of pop art with familiar logos and graphics which require reading through a lens that is both nostalgic and cerebral. Mr. Anderson creates a graphic alphabet from the eye-catching lettering of soda cans, candy wrappers and cereal boxes. In his second series, “Out of Print,” language and the evolution of our collective literacy is also explored, this time in the decline of print journalism. Mr. Anderson collected the front pages of national newspapers and carefully erased portions of their content, resulting in graphic and poetic musings on the fate of mass communication.
Susan Stacks
Beginning with the unconsciousness of a doodle, but executed with the commitment of surgery, Susan Stacks creates drawings with pencil and pen that are artifacts of a meditative experience. These intricate and elegant works reference landscapes, microscopic forms, and cartography. As Ms. Stacks draws, a twist becomes a tug, a dash a dot. Her influences are as varied as novels, mythological figures, plant and bacterial life, rock stars and vending machines. She refers to her drawings as emotional maps, parasites, friends, and penance.
Adah Rose Gallery
3766 Howard Ave
Kensington, Maryland 20895
(301) 922 0162
Beginning with the unconsciousness of a doodle, but executed with the commitment of surgery, Susan Stacks creates drawings with pencil and pen that are artifacts of a meditative experience. These intricate and elegant works reference landscapes, microscopic forms, and cartography. As Ms. Stacks draws, a twist becomes a tug, a dash a dot. Her influences are as varied as novels, mythological figures, plant and bacterial life, rock stars and vending machines. She refers to her drawings as emotional maps, parasites, friends, and penance.
Adah Rose Gallery
3766 Howard Ave
Kensington, Maryland 20895
(301) 922 0162
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