Blake Gopnik covers "Dreams," in today's WaPO, "the stunning show that opened yesterday at the Hirshhorn Museum, is like nothing you've ever seen in a museum. Its 21 works of moving-picture art -- part of an ambitious Hirshhorn project called "The Cinema Effect: Illusion, Reality, and the Moving Image" -- are strung along a dark labyrinth of rooms. The installation perfectly captures that magic moment of potential when the lights go down in movieland and anything can happen."
Read more Here
LIFE IN THE ARTS - Artist, Anne Marchand delivers news from the Washington, DC Arts Scene
Showing posts with label Early Cinema. Show all posts
Showing posts with label Early Cinema. Show all posts
Friday, February 15, 2008
Thursday, April 19, 2007
Edison and Lumière
Early Cinema, Fine Art and the Clash of Cultures, Special Lecture
Thursday, April 19, 2007, 6:30 p.m.
Co-sponsored by the American Film Institute's Silver Theatre
Who invented cinema? Charles Musser, will explore controversies surrounding American and French cinema that emerged in the 1890s, when the Lumière Cinématographe arrived in the United States and Edison's Vitascope made its debut. How did French and American motion picture art diverge? Were early movies an international phenomenon or a nationalistic one? The answers will help pinpoint ideological and cultural differences, and reveal dimensions of early cinema that still reverberate today. Dr. Musser is Professor of American Studies and film Studies, at Yale University.
Admission: $15, $10 for members. Friend and Patron + level members admitted free.
For more information and to register, contact (202)387-2151 x247
http://www.phillipscollection.org/
The Phillips Collection
1600 21st Street, NW
Washington, DC 20009
Thursday, April 19, 2007, 6:30 p.m.
Co-sponsored by the American Film Institute's Silver Theatre
Who invented cinema? Charles Musser, will explore controversies surrounding American and French cinema that emerged in the 1890s, when the Lumière Cinématographe arrived in the United States and Edison's Vitascope made its debut. How did French and American motion picture art diverge? Were early movies an international phenomenon or a nationalistic one? The answers will help pinpoint ideological and cultural differences, and reveal dimensions of early cinema that still reverberate today. Dr. Musser is Professor of American Studies and film Studies, at Yale University.
Admission: $15, $10 for members. Friend and Patron + level members admitted free.
For more information and to register, contact (202)387-2151 x247
http://www.phillipscollection.org/
The Phillips Collection
1600 21st Street, NW
Washington, DC 20009
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