Showing posts with label JW Mahoney. Show all posts
Showing posts with label JW Mahoney. Show all posts

Wednesday, May 05, 2010

NOTICE : Have you seen this painting?

The Last Washington Painting  36 x 72 in.  1980

HAVE YOU SEEN THIS PAINTING? Painted by Alan Sonneman in 1980, It was purchased by the late Marc Moyens of Gallery K, who subsequently sold it to another collector. Sonneman is trying to locate the painting so that he can include it in an upcoming exhibition at the American University Museum celebrating the 35th anniversary of the Washington Project for the Arts curated by JW Mahoney. So far, he has been unsuccessful. If you've seen this hanging on some collector's wall, or if you have information as to its whereabouts, please let the artist know.

If you have any information about this work, please contact the artist at:
asonneman[at]mac[dot]com
www.alansonneman.com
phone 650 494-7121

Tuesday, September 30, 2008

Pass Gallery Fall Group Show



Opening reception: Friday, Oct 3, 7-10 pm
Exhibit runs thru October 28, 2008

Pass Gallery
alley of 1617 S Street NW

Gallery open: Tuesdays and Saturdays 1-5 PM Location:

Friday, May 23, 2008

Information Overload......

This was a great panel with many insights into the world of art collecting. The materials are helpful for beginning and seasoned collectors alike. Here are additional resources from the panelists that they would like to share with you.

More resources for collectors.

Phillipa Huges of Pink Line Project introduces the panel.

*Martin Irvine, Director of Irvine Contemporary shares these additional resources on how to navigate information from the artworld system. Click HERE to download his insightful handout (pdf) from the evenings talk.

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*Sharon Burton of Authentic Art Consulting shares these additional tips and resources:
-Read Magazines like Art News, Auction Catalogs (i.e. Swann Catalog).
-Go to Open Studios (a good way to venture into artists studios on the first visit).
-Visit Museums (a good way to train the eye on art).
-Topic or Interest approach to collecting (start collecting art that focuses on a topic or interest of yours).

Reading:
The Intrepid Art Collector by Lisa Hunter
Collecting African American Art by Halima Taha
The Art of Buying Art: An Insider's guide to Collecting Contemporary Art by Paige West

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Jim Mahoney suggests reading Shock of the New by Robert Hughes

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Information Overload! Art Collecting 101 Crash Course panel at Artomatic. Presented by Phillipa Hughs of Pink Line Project.
The panel consisted of
* Sharon Burton, Authentic Art Consulting
* Lenny Campello, Artist, art critic, MidAtlantic Art News
* Martin Irvine, Irvine Contemporary Art Gallery
* JW Mahoney, Artist, art critic, and curator
* Moderator: Fred Ognibene

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The next Pink Line Project at Artomatic is scheduled for
Saturday, May 31, 2 pm
Art Collecting 101:
Inspiration and Passion

@ 1200 1st St. NE (1st and M)

Thursday, May 22, 2008

Information Overload / Art Collecting Panel at Artomatic


Last night, collector and advocate, Philippa Hughes of the Pink Line Project hosted Information Overload! Art Collecting 101 Crash Course panel at Artomatic. It was informative and inspiring, an insightful look at beginning collecting by experts in the Washington DC area.
The panel consisted of
* Sharon Burton, Authentic Art Consulting
* Lenny Campello, Artist, art critic, MidAtlantic Art News
* Martin Irvine, Irvine Contemporary Art Gallery
* JW Mahoney, Artist, art critic, and curator
* Moderator: Fred Ognibene

See a list of the resources for beginning collectors on my blog sidebar, courtesy of Irvine Contemporary Director, Martin Irvine. The gist is to use resources everyday to get information about the artists that interest you and about other artists who are in the news. Look at pictures in publications like ArtForum (the Vogue of art magazines), says Mahoney. Information is essential and one must cull through the overload to find what is useful says Irvine.


If you've ever thought about collecting, NOW is the time to jump in according to JW Mahoney. There is much offered in Washington, DC at the galleries, art organizations, student exhibitions and venues like Artomatic. Mahoney states that we are now experiencing a Renaissance in the arts. According to Irvine, DC is known for its diversity and excellence in artists and galleries at the national level at art fairs. The panel agreed that art in DC does not receive adequate coverage in the local papers like the Washington Post. They have one attuned journalist on staff. With the lack of press coverage, we are missing a player(s) in the field. Role, responsibility and contribution to the arts should be wake up calls for the press, not to mention the excellent content and diversity of what is happening in the arts in DC. There are many bloggers who are filling the information gap beautifully and we STILL need the print media to roll the presses on the art world in DC. The printed word and pictures still hold weight in the minds of collectors and the art world.


Lenny Campello offers these guideline to beginning collectors:
1-Buy What you Like.
2-Buy the original.
3-If you can't afford it, ask the dealer about something smaller in your budget. Galleries will work with you.
4-Look at prints as another option.

Campello says, Don't expect artists prices to be different in the studio than in the gallery. The value of the artists work stays the same whether work is seen in a studio setting, a DC Gallery or a gallery in another city.


Sharon Burton recommends visiting open studios and going to artist talks to acquaint yourself with the artists process of creating the work and to learn about their concepts. Visit galleries and art organizations to discover the art that you like. Blogs play a very big part in getting the word out about exhibitions. Burton recommends looking through auction catalogs. Mahoney suggests....Talk to other collectors for recommendations on artists and galleries. Visit artists studios to learn about and interact with the artist.


According to Martin Irvine, art is about information. Good galleries inform collectors about the artists and about the general art field. The whole system is based on trust. The art gallery's main mission is (should be) to create value for its artists and collectors.

Thanks to collector, Fred Ognibene for moderating this excellent panel and the panelists who gave excellent advice for new collectors.
Let's have more of these Phillipa!

Friday, February 29, 2008

A S T R A L B O D I E S / Transfer Paintings by Lisa McCarty


curated by JW Mahoney, assisted by Ellen Tani
Exhibition runs through March 23, 2008


"Sometimes I wait hours, standing alone, but among hundreds of strangers that are too close, and we are all in the dark. Until there is a spotlight, and then silence for a brief moment as there is a collective holding of breath. The anticipation culminates as shadows appear from behind a curtain and turn into figures."

In her first solo exhibition, Lisa McCarty captures the emotional landscape of physical, aural and temporal experience. Embodying the transformation from moment to memory, her photo transfer paintings are at once performative and experienced. Through the pulsing colors and figures of original photographs and layers of mixed media, Lisa chases the fleeting moments of sonic energy and heightened experience that she has lived through the Washington DC music scene in the last four years. Exploring the synapse between present and past, the works translate this transformation in a fusion of photography and painting, mediums whose place in the history of art-making reflects this dialectic. The paintings pursue the reconstructive act of remembering such experiences in a layered collage of sonic, visual and textural memories.

District of Columbia Arts Center
2438 18th Street NW
Washington, DC 20009
Phone: 202-462-7833
Fax: 202-328-7099
www.dcartscenter.org