Monday, January 18, 2016

Gallery of Photography Ireland Opens Carlotta Hester Exhibition

Carlotta Hester

THE PURE DROP

Drawings of Traditional Irish
Musicians, Singers and Dancers
 Joe Ward, Co. Tyrone, Fiddle, Bodhran & Singer,
Cross Border Session, Peace III Office, 16/8/2010
© Carlotta Hester / Govinda Gallery
January 26 – February 21 2016
in Gallery II

Opening Reception: Tues Jan 26, 6.30pm

GALLERY OF PHOTOGRAPHY
Ireland's National Center 
for Contemporary Photography

Meeting House Square
Dublin 2, Ireland


During the summers of 2010, 2011, and 2012, American artist Carlotta Hester made over 150 drawings in County Cavan. Each is an exquisite rendering of traditional Irish musicians, singers and dancers captured at the height of their creative flow. For this exhibition, the artist has selected 24 drawings which present a visual distillation of Fleadh Cheoil na hÉireann, the largest of all traditional Irish music festivals. Hester’s drawings are created direct from life, while listening to the music in every festival setting – street sessions, theatres, dance classes, pub sessions, masterclasses, outdoor concerts, cross-border gatherings, and more.

Musical artists from all over Ireland (North and South), as well as Scotland, England, and the United States are depicted in these drawings. Well-known names including fiddlers Tommy Peoples and Oisin MacDiarmada, harpist Catriona McKay and filter Seamus Fay rub shoulders with newer talents and rising stars of the next generation. Presented during Tradfest as a companion exhibition to Ted Russell’s photographs of Bob Dylan, Hester’s work captures the spirit of traditional music that was such a major inspiration for Dylan back in the sixties. More than this, The Pure Drop is a forward looking celebration of the artistry of deep-rooted Irish traditions which continue to thrive today.

Acknowledgments: The Gallery of Photography would like to thank TradFest 2016 - Temple Bar’s festival of traditional music and Govinda Gallery, Washington DC. Special thanks to Jim Staunton of Staunton’s on the Green for his generous support for the exhibition.


EVENTS
Official launch of The Pure Drop and Bob Dylan – NYC 1961-64 exhibitions will take place Tuesday January 26 at 6.30 – 8.00pm. HE Kevin O’Malley, US Ambassador to Ireland, will be present. The evening will include a short performance by the award winning Irish singer/songwriter, Adrian Crowley.


About Carlotta Hester, the artist:
Carlotta Hester gained a BFA from Washington University, St Louis, MO and has exhibited in Washington DC, in Ireland and in Cuba. She combines her art practice with art teaching, and has been the art teacher at the prestigious Maret School since 1994. She received the Fishman Fellow Award for Outstanding Teaching in 2012. She is represented by Govinda Gallery, Washington DC.

About the Gallery of Photography Ireland:
Established in 1978 the Gallery of Photography is Ireland’s centre for contemporary photography. The Gallery provides an important platform for established and emerging artists from Ireland and abroad. In addition to exhibitions, the gallery also provides photography courses, a specialist photography bookshop, membership programme, fully serviced studio/darkroom facilities, and digital printing and scanning facilities available for hire at subsidised rates. The Gallery, which is nonprofit making, is funded by the Arts Council and Dublin City Council. It also welcomes donations, sponsorship and support from those interested in promoting photographic arts. www.galleryofphotography.ie/

Exhibition Opening Hours:
The exhibition is open Tues-Sat 11am-6pm, Sundays and Mondays 1–6pm. Guided group tours are available, tel 01 6714654 or email info@galleryofphotography.ie to book a time.

Admission is free. Guided group tours are free. Donations are welcome.

Gallery of Photography, Meeting House Square, Temple Bar, Dublin 2, Ireland.
Tel. 353-1-671 4654 www.galleryofphotography.ie info@galleryofphotography.ie/




Saturday, January 16, 2016

Hemphill Opens Colby Caldwell Exhibition

Colby Caldwell

how to survive your own death
January 16 - March 5, 2016

Opening Reception: Saturday, January 16, 2016

Colby Caldwell, how to survive your own death (222), 2015, archival pigment print mounted to Dibond and waxed, 36" x 120", Ed. 5.

how to survive your own death;­­–– what is in a title? Is it a key or simply a tag? Is Caldwell’s provocative name for this series of digital images a declaration, or is it a question? The artist borrowed the title from a poem by Bernard Welt, but it is hard to think that he is simply referencing to the poem. Caldwell describes the title as illustrating how the accidental corruption of visual information created the data from which his images were generated, reborn. With this description of the original how to survive your own death is he suggesting he glimpsed something beyond the mortal realm? Does this mean if you look long enough and hard enough you will see a way to dodge your inevitable demise? It is un-modern and disconcerting to make such a claim. So much of Western art before our time contained or implied instructions on methods of surviving this earth so as to pass in to everlasting life. No such demand is placed on today’s art, no modern artist expects the void to answer back. So, is the title part of a joke? Is Caldwell drawing you in with an antiquated straight-line, then delivering a deadpan punch-line, “All you get is a pretty picture, sucker!” And you cannot ignore the lower case of Caldwell’s title. Is it meant to be humble, passive or self-deprecating? Is it his admission - the agnostic admission of so many artists - that hangs on to the hope something of the self survives in art after death?

The works in the series, presently numbering more than 200, arise from that first corruption of data, a common origin. Each piece is related and each piece different – much like individuals within a species, within a family. Could how to survive your own death be seen as an expression of genetically related generations? Is Caldwell saying there are structures arising from the past, reaching into the future, binding us together, normally unseen sublimely beautiful structures? Maybe

Colby Caldwell’s work is included in numerous private collections as well as the collections of the Museum of Fine Arts, Houston, TX, the Smithsonian American Art Museum, Washington DC, and the Ogden Museum of Southern Art, New Orleans, LA, among other museum and public collections. Caldwell received a BFA from the Corcoran College of Art and Design in 1990 and currently lives and works in Asheville, NC.

HEMPHILL was founded in Washington DC in 1993. The exhibition schedule features modern & contemporary art in all media by artists ranging from emerging to mid-career to modern masters.


Image: Colby Caldwell, how to survive your own death (222), 2015, archival pigment print mounted to Dibond and waxed, 36" x 120", Ed. 5.

GALLERY HOURS: Tuesday–Saturday, 10:00am–5:00pm, and by appointment.

HEMPHILL
1515 14th St NW
Washington DC 20005
tel 202.234.5601
www.hemphillfinearts.com

Friday, January 15, 2016

GEOMETRIX: Line, Form, Subversion 3 Venues, 3 Months, 3 Opening Receptions




 



Curator's Office announces a 3 venue exhibition

GEOMETRIX: Line, Form, Subversion

3 Venues, 3 Months, 3 Opening Receptions

January 14 - April 16, 2016

GEOMETRIX: Line, Form, Subversion is a large mischievously educational exhibition that explores how artists use the vocabulary of geometric abstraction to explore ideas far beyond the purely formal. Admittedly eclectic, the exhibition is a big beta version of what will become an annual series of focused thematic shows.

The artists allude to such diverse inspirations as music, physics, occult studies, racism, social issues, gay aesthetics, incarceration data, textile design, interactive computer design, memorials, the environment and perverse homages, to name but a few.  

Each gallery venue will be open on Saturdays from 12 - 6 and by appointment. E-mail andrea.pollan at gmail dot com for appts.

* * * * * * * * *


Friday, January 15, 2016    6 - 8 pm
Curator's Office @ Home  

RSVP required for address. 
There will be a strict guest list at the door.
Please respond to andrea.pollan at gmail dot com


  


Lori Ellison, Peter Fox, Christopher French, Kendell Geers, 
Jason Gubbiotti, Raymond Salvatore Harmon, Jason Hughes, 
Warren Isensee, Linn Meyers, Gary Petersen, Eduardo Santiere 
Jo Smail, Andrea Way, Andy Moon Wilson, Patrick Wilson


* * * * * * * * *


Saturday, January 16, 2016   6 - 8 pm
Curator's Office @ Gallery 2112

2112 R Street NW
Washington, DC 20008
RSVP appreciated. Email to andrea.pollan at gmail dot com
      

 


Lisa Beck, Joan Belmar, Brian Dailey, Tim Doud, Tom Downing 
Peter Fox, Tom Green, Logan Grider, Jason Hughes, Warren Isensee 
Paul Laffoley, Sharon Louden, J.W. Mahoney, Gary Petersen 
W.C. Richardson, Eduardo Santiere, Jered Sprecher, Don Voisine 
Andrea Way, Andy Moon Wilson, John Zinsser 


* * * * * * * * *


Sunday, January 17, 2016   6 - 8 pm
Curator's Office @ 703 Edgewood Studios

703 Edgewood Street NE
Washington, DC 20010
RSVP appreciated. Email to andrea.pollan at gmail dot com
Please dress warmly!


 


Seth Adelsberger, Joan Belmar. Sharon Butler, Travis Childers 
Mike Childs, Charles Cohan, Paul Doran, Alex Ebstein
Peter Fox, Ted Gahl, Robert Gutierrez, Eric Hibit 
J.T. Kirkland, Amy Lin, Maggie Michael 
Thomas Müller, Betsy Packard, Jefferson Pinder
.

 * * * * * * * * *


PDFs of artworks from this exhibition will be available by request beginning Friday, January 15, 2016.

Images Above:

Linn Meyers, Untitled, 2015, acrylic ink on mylar, 19" x 13.5", 
Courtesy of the Artist
Patrick Wilson, Crimson Queen, 2011, acrylic on canvas, 17" x 17"
Gary Peterson, Pink Drift, 2015, acrylic on canvas, 36" x 30", Courtesy of the Artist

Special Thanks and Courtesies Extended:

Special Thanks to ALL the artists
Tim Doud exhibits Courtesy of Randall Scott Projects
Lori Ellison exhibits Courtesy of McKenzie Fine Art
Jason Gubbiotti exhibits Courtesy of Civilian Art Projects
Warren Isensee exhibits Courtesy of Danese/Corey
J.T. Kirkland exhibits Courtesy of Adah Rose Gallery
Sharon Louden exhibits Courtesy of Morgan Lehman Gallery
Don Voisine exhibits Courtesy of McKenzie Fine Art


Curator's Office
+ 202.360.2573



Tuesday, January 12, 2016

New Exhibitions Opening January 14 at McLean Project for the Arts




 McLean Project for the Arts, 
Opening exhibit receptionThursday, January 14, 7-9pm.

View new exhibits, meet the artists, and enjoy a special wine tasting provided by The Vineyard and appetizers from J.Gilberts! This event is free and open to the public, RSVP or follow on Facebook.  
 
January 14 - March 5, 2016

Emerson Gallery: Absence and Presence: Al Mutanabbi Street Starts Here 
Artists worldwide have created work in response to the 2007 bombing of Baghdad’s historic book-selling street, exhibiting in venues all around the world as part of the Al Mutanabbi Street Starts Here project. This exhibition features a selection of prints, broadsides and artists books from the project that commemorate this event and celebrate the free and creative exchange of ideas and knowledge everywhere. This exhibition is part of a diverse coalition of DC-area universities and arts and literary organizations taking part in the project. Other exhibition sites include the George Mason University School of Art Gallery, the Gelman Library and the Corcoran School of Art and Design at the George Washington University, the Brentwood Arts Exchange, Smith Center for Healing and the Arts, Olly Olly Gallery, and the Smithsonian American Art/Portrait Gallery Library. 
 
Atrium Gallery: Hushed Revolt: Works by Nasrin Navab and Nahid Navab 
Sisters Nasrin and Nahid Navab have collaboratively produced this exhibition as an exploration of the social and cultural spaces they have occupied as two Iranian-Ameri- can artists. In homage to the mythological sisters Shahrezad and Shahrnavaz, Nasrin and Nahid embarked on an intimate journey of sharing their stories and creating art that captures those experiences in the form of drawings, prints, artist books, and installations. The many-textured and multi- layered array of influences and interests leading on this body of work include Persian calligraphy and miniature painting, mythology from around the world, contemporary spatial and urban experiences, and individual and communal identity. 
 
Ramp Gallery: Les Fleurs du Livre: New Paintings by Carol Barsha 
In this exhibition, artist Carol Barsha shows paintings that playfully explore the role of the book as an entry- way into the world. Executed in a dynamic combination of mediums, including watercolor, ink, pastel, oil paint and pencil on paper, this exhibit features a series of works, both large and small, that situate the book within the landscape. In this way, the complexity and exuberance of the natural world is thereby considered along with the open territory of the imagination and the age-old practice of storytelling. 
 
For more information, please visit website.  

 Gallery Hours: Monday – Fri 10 am-4 pm; Sat 11 am-5 pm. Free and open to the public.
Location: McLean Project for the Arts, 1234 Ingleside Avenue, McLean VA. 22101.
 

Monday, January 04, 2016

Kinetic Instrument Exhibition at Montgomery College’s Open Gallery


 Montgomery College’s Department of Visual and Performing Arts presents Luminescent Anthologies: Matthew McCormack and Jenn Fig at the Open Gallery. The exhibit opens January 11. A reception follows February 11 from 6–8 p.m. This interactive exhibit features playable sound and light instruments. 

Luminescent Anthologies is the second in the themed exhibition series Interactivity: Sight and Sound. This exhibit consists of futuristic instruments that gallery visitors are invited to play. The instruments produce sound and light when played. McCormack and Figg’s collaborative art investigates the connections between ecology, industry, science, and identity. 

Jenn Figg and Matthew McCormack are multimedia artists who incorporate advanced technology and performance into their practice. They are recipients of a MacDowell Colony artist residency, among many other awards and recognitions. The pair has exhibited and performed throughout the United States. 


About The Open Gallery: The Open Gallery’s exhibitions compliment the Department of Visual and Performing Arts’ academic programs while bringing art to the community. The Open Gallery hosts a themed, open call exhibition series each academic year. This year’s theme is Interactivity: Sight and Sound. As part of the Silver Spring arts community, exhibitions focus on current pieces by working artists. The gallery is on the ground floor of The Morris and Gwendolyn Cafritz Foundation Arts Center on the west side of the Takoma Park/Silver Spring Campus. The center is located off Georgia Avenue at 930 King Street. Parking is available in the West Campus Garage, located immediately behind the center. 


The Morris and Gwendolyn Cafritz Foundation Arts Center 
930 King Street
Silver Spring, MD 20910 

Wednesday, December 30, 2015

Last Day to see, Through the Lens: Visions of Post-war Europe Exhibition

Exhibition Dates:
Wednesday, December 2, 2015 - Wednesday, December 30, 2015

Massive, 2012 by Philip Breson
Featuring never-before-exhibited photographs of Fred Maroon and Philippe Bréson, the show offers a narrative of the environmental and social changes that swept through Europe after World War I and II. Artist’s Proof showcases how photographers Fred Maroon and Philippe Bréson offer a narrative on the changes that swept through Europe after World War I and II in the exhibition, “Through the Lens: Visions of Post-War Europe.” This exhibition will be curated by the distinguished Will Stapp who was the founding curator of the photography collection of the National Portrait Gallery.


Beggar Boy by Fred Maroon, Liverpool, 1951
Each photographer employs a carefully developed visual language to express the healing from scars left behind by each conflict. While Bréson focuses on the topographical ruptures in Europe’s landscapes left from the artillery shelling and trenches of World War I, Maroon’s 1950 and 1951 collections aimed to depict European society during a period of recovery from the ravages of World War II.

Fred J. Maroon (1924-2001) is described as one of the finest photographers of his generation. His career spanned more than half a century and touched on topics ranging from fashion, architecture, landscapes, photojournalism, and politics. This exhibition of his post-WWII photographs have never been shown as a collection of works and the exhibition seeks to tell the story of his travel through Europe as a stringer for Life Magazine. The people and places are seen through the eyes of a young American war veteran, fresh out of university, curious yet unsophisticated, as he intuitively reacted to the scenes he witnessed. In addition to the numerous awards garnered during an impressive career, Maroon’s works are featured in the permanent collections of the Museum of Modern Art, the Metropolitan Museum of Art, the International Center of Photography, and the Library of Congress.

Unlike most contemporary photographers, Philippe Bréson works in an antiquated silver gelatin process, requiring him to develop each photograph manually, and often build his own cameras manually. An experienced photojournalist, Bréson has also taught photography in various art institutes in Paris. Featured in the Beaux Arts Magazine, Bréson has exhibited since 1986. His dive into “memory” as a theme is colored in the same ways as his explorations into portraiture, architecture, and underground sexuality. His works appeal to a vintage aesthetic. Based out of Paris, this is the first release of the artist’s work in the United States.

You can discover more about Maroon, Bréson, and other artists at www.aproof.net

Images: courtesy Artist's Proof Gallery.

Artist’s Proof Gallery Hours:
Mondays thru Saturdays: 11:00am to 7:00pm Sundays: 12:00pm to 5:00pm

1533 WISCONSIN AVE NW
WASHINGTON D.C. 20007
+1 202 803 2782

Looking Back / Looking Forward - Three days of viewing

Greetings! We hope you had a great season and are continuing the holiday celebrating. We are in the last three days of the exhibition, Looking Back/Looking Forward at Brentwood Arts Exchange (BAE). You can end the year or start a fresh one with a visit to see this exhibition. Either way is good! 


Here is a nice review of the show featured in East City Art in case you didn't see it. 

Read REVIEW here.

Please feel free to send your colleagues and friends to visit the exhibition before close of day on Saturday, January 2. Brentwood Arts Exchange is open 10 am - 7 pm on Wednesday, and 10 am-4 pm on Thursday and Saturday, (closed Friday for the holiday).

Celebrating 15 years of Millennium Arts Salon, the exhibition features artists: Holly Bass, Joan Belmar, Anne Bouie, Wesley Clark, Hediech Ilchi, Wayson R. Jones, Anne Marchand, E.J. Montgomery, Ellington Robinson, Sheldon Scott, and Stan Squirewell.
Looking Back/Looking Forward is co-curated by Jarvis Dubois, Janell Blackmon-Pryor, and Sharon Burton.
This exhibition commemorates Millennium Arts Salon's (MAS) commitment to art and culture in the Washington, DC area for over fifteen years. Participating artists featured in this exhibition foster the dialogue between cultural consciousness, social expectations, and human emotion. Abstract forms, fictional characters, and symbolic representations give us an entry point to an open-ended exchange about human connectivity.

Brentwood Arts Exchange in the Gateway Arts Center

(301) 277-2863

Friday, December 18, 2015

Georgetown GLOW runs through Sunday, December 20

The seasonal celebration, now in its second year, features public
light-art installations throughout Georgetown

Georgetown GLOW—the popular holiday celebration featuring outdoor public light-art installations that invite visitors to “re-imagine the season of light,”—comes to a close on Sunday evening. In its second year, Georgetown GLOW has grown from a weekend-long celebration to a 10-day exhibition from December 11-20, with works lit from 6-10 p.m. nightly. Attendance to Georgetown GLOW, including access to all art installations, is FREE.

Five site-specific installations, commissioned by local, regional and international artists, are on view along and adjacent to the historic C&O Canal. Georgetown GLOW is organized by the Georgetown Business Improvement District (BID). Visit www.GeorgetownGLOWDC.com for information, including artwork details and a map.
THIS WEEKEND

Georgetown GLOW information booths are located at the following locations: Grace Church (1041 Wisconsin Avenue), Jefferson Court (1025 Thomas Jefferson Street at K Street), and Pinstripes (1064 Wisconsin Avenue) Friday through Sunday, from 6-10 p.m.
Nightly outdoor musical performances from 6:30-7:30 p.m. on the lawn of Grace Church (1041 Wisconsin Avenue). 
·         Friday, Dec. 18: 42nd Street Singerscaroling quartet
·         Saturday, Dec. 19: Word of Moutha cappella group
·         Sunday, Dec. 20: Tamara Wellonssoul, jazz vocalist

Half price ($5) ice skating at Washington Harbour, the region's largest outdoor ice skating rink, through December 20 when you mention Georgetown GLOW. 

ABOUT THE CURATOR
Deirdre Ehlen MacWilliams is a public art expert and curator whose projects have included the DC Commission on the Arts & Humanities’ 5x5 program, Foggy Bottom Sculpture Biennial, the Downtown BID’s Art All Night Festival, and Arlington, VA, public art initiatives.   

The Georgetown Business Improvement District (BID) recognizes the following sponsors for their generous support of Georgetown GLOW 2015: The JBG Companies, Jamestown/Georgetown Park, MRP Realty/Washington Harbour Georgetown, HOK, RB Properties, Inc., Jaguar/Land Rover, The Current Newspapers, Grace Episcopal Church, Georgetown Suites, and Think Out Loud Productions.

GETTING THERE
Georgetown GLOW has partnered with Parking Panda to allow visitors to purchase guaranteed parking at many convenient locations around the event. First time users: enter promo code GTOWN25 at checkout to receive an additional 25% off your reservation at https://www.parkingpanda.com/georgetown-glow-parking?ref=georgetown

Attendees can also access the event via public transportation options, including nearby Metro stations, the DC Circulator, MetroBus, and Capital Bikeshare. For more information on getting to Georgetown, visit www.georgetowndc.com/gettinghere.

Georgetown Business Improvement District visit georgetowndc.com

Photo:
WIRED People Project: The Lovers by Herve Orgeas and Arthur Gallice. Photo: Sam Kittner for the Georgetown BID.




DCAC Artist Talks Dec 18, 6-8 pm and


The District of Columbia Arts Center will be closed on Christmas Eve and Christmas Day, as well as New Year's Eve and New Year's Day.  

Friday, December 18, 6-8 pm: Artist Talk & Happy Hour


In collaboration with the Black Artists of DC (BADC)


Pressure Points 
Curated by Deirdre Darden

Aziza Gibson Hunter, Imani Shanklin Roberts, Michael Fischerkeller, Ashley Ja'nae, and Elana Casey


December 11, 2015 - January 10, 2016

Sunday, January 10, 5 pm: Topic discussion & Closing Reception

Pressure points are vital points that when engaged, release energy and organize a system of communication throughout the body.  In this exhibition, artists use oil and acrylic paintings, multimedia collages, and ink on paper to look at society's pressure points and the external systems which cause internal stress, congestion, ache and fatigue.  The visual analysis is not a protest, or the application of pressure, but instead the energy release that compresses tension and creates dialogue, relief.

More info at: dcartscenter.org

 

||In the nano gallery||
 
Singles Faire: Intimate Gestures
Jenny Walton

November 6, 2015 - January 31, 2016


Sunday, January 31, 2016, 5 pm: Artist Talk and Closing Reception

The small paintings in Singles Faire: Intimate Gestures were created on New York City and Washington, DC transit fare cards, and paper ephemera.  These bits of paper intensify metaphors of passage and journey from their original intentions as fare cards to works that develop layered meanings in body language.  A variety of techniques including media transfer, watercolor, and drawing were used to create these works into awkwardly humorous views into the lives of singles.   


More info at: dcartscenter.org 


DC Arts Center
2438 18th St. NW
WashingtonDC  20009

Wednesday, December 16, 2015

      Wishing you a Joyous Holiday Season and a New Year filled with Peace & Happiness




Monday, December 07, 2015

Brentwood Arts Exchange Exhibition and Open Studios in Maryland





Brentwood Arts Exchange in the Gateway Arts Center is featuring eleven artists from the DMV area exhibiting large scale work in "Looking Back/Looking Forward". I’m excited to be one of the exhibiting artists in this very cool show! It's co-curated by Jarvis Dubois, Janell Blackmon-Pryor, and Sharon Burton. 
Contact me if you’d like to meet me at Brentwood Arts Exchange on Dec 12th to discuss my work in this exhibit commemorating Millennium Arts Salon’s (MAS) commitment to art and culture in the Washington, DC area. Participating artists are Holly Bass, Joan Belmar, Anne Bouie, Welsey Clark, Nekisha Durrett, Hedieh Javanshir Ilchi, Wayson Jones, Anne Marchand, EJ Montgomery, Ellington Robinson, Sheldon Scott, and Stan Squirewell. The exhibition runs through Jan 2, 2016. Contact Anne Marchand www.facebook.com/events/16639617104...  
  
I'll be moving around the area visiting studios and let's meet at 4pm at the Brentwood Arts Exchange on Saturday, Dec 12. Since there’s so much to see, you can make an artful day visiting artist's studios nearby! Connect with me and let me know if you plan to meet me. Contact Anne Marchand

Open Studios

www.facebook.com/events/45643606455...

Brentwood Arts Exchange in the Gateway Arts Center,
3901 Rhode Island Avenue
Brentwood, MD 20722
(301) 277-2863

Saturday, December 05, 2015

Georgetown GLOW Returns December 11-20

Five local, regional & international artists display commissioned work inspired by the historic C&O Canal



Washington, D.C. (December 2, 2015) – Five local, regional, and international artists will show commissioned light-art works inspired by the historic C&O Canal during the second annual Georgetown GLOW exhibition in Georgetown. In its second year, GLOW will expand from a weekend-long celebration to a 10-day exhibition from Friday, December 11 – Sunday, December 20 with works lit nightly from 6-10 p.m. In addition to the light works, GLOW 2015 includes an Artists’ Talk on December 12, live entertainment, store promotions and more.
Georgetown GLOW is a signature winter event celebrating the holiday season organized by the Georgetown Business Improvement District (BID). Visit www.GeorgetownGLOWDC.com for announcements and updates.
Artists represented in Georgetown GLOW 2015 include: Laia Cabrera and Isabelle Duverger (New York, NY), Arthur Gallice and Hervé Orgeas (Shanghai/Washington, D.C.), the collective SHO + ULR (Pittsburgh/Gainesville, FL/Boston), Kelly Towles (Washington, D.C.), and Hiroshi Jacobs of the trans-disciplinary research and design collaborative HiJAC (Washington, D.C.).  The group of five artists represent a diverse mix of backgrounds in artistic lighting design, sculpture, architecture, street art, video mapping, and film.
This year’s exhibition encourages contemplation of, and interaction with, the natural and built environment. The intimate, historic C&O Canal—a beautiful, meditative waterway reminiscent of Georgetown’s founding as a port town and located just steps from bustling M Street—is the anchor and inspiration for the site-specific works. The C&O Canal, the “spine” of Georgetown, was erected in 1828 to carry goods westward. Today, it is a National Park Service property and a destination for recreation and respite. Visitors are encouraged to reflect as they are transported.

Deirdre Ehlen MacWilliams, a public art expert and the exhibition’s curator, said: “The energy central to GLOW is how artists play with, and become part of, the juxtaposition of the contemporary and historic inherent to Georgetown. That mix makes Georgetown a very unique and interesting place to experience any time of year. That these artists have this environment as their ‘canvas’ to create works, and that these fleeting works are so interactive, makes the experience of being in Georgetown quite revelatory.”

Over both weekends during Georgetown GLOW, visitors will enjoy nightly live outdoor musical performances from 6:30-7:30 p.m. on the lawn of Grace Church (1041 Wisconsin Avenue). Additionally, visitors shouldn’t miss a visit to Washington Harbour for a spin on the region's largest outdoor ice skating rink.

Georgetown’s holiday décor and lights make it one of the city’s most festive neighborhoods during the holiday season.  As attendees tour the public art works, they are also encouraged to take a self-guided tour of the uniquely decorated merchant windows in the fourth annual Holiday Window Competition, in which fourteen Georgetown merchants--mainly small and regional businesses--square off in a friendly competition to win top holiday decor honors. Visitors vote for their favorite store window by "liking" its photo in an album on Georgetown’s official Facebook page. The winner is crowned on December 21, the day after #GeorgetownGLOW comes to a close. 

Visitors can pick up programs/maps at Georgetown GLOW information booths located at the following locations, December 11-13 & December 18-20 from 6-10 p.m.: Grace Church (1041 Wisconsin Avenue), Jefferson Court (1025 Thomas Jefferson Street at K Street), and Pinstripes (1064 Wisconsin Avenue).
For event information anytime, visit www.GeorgetownGLOWDC.com.  
Visitors to GLOW are encouraged to follow Georgetown on Twitter (@georgetowndc), Facebook (https://www.facebook.com/OfficialGeorgetownDC/) and Instagram (@officialgeorgetowndc), join the event on Facebookand participate and share via the hashtag #GeorgetownGLOW.     
      
2015 ARTISTS AND PROJECTS
Shifting Gaze: A film Installation about Choice, Desire & Memory, Laia Cabrera & Co. (Laia Cabrera + Isabelle Duverger)New York, NY.
Location:  C&O Canal wall, at 1064 Wisconsin Avenue, NW at the rear of Georgetown Park
Sponsored by Jamestown Properties & Georgetown Park
Shifting Gaze is a film-art-music installation about choice, desire and memory conceived and directed by Laia Cabrera (filmmaker and video artist) and created in collaboration with Erica Glyn (music, composer and singer) and Isabelle Duverger (animation and mapping). Shifting Gaze is a film about identity, about making choices, a memory in act. Drawing from the body, faces, urban patterns, nature and remains of activity, the piece explores a notion of choice, linked to desire and memory - choice being the present, memory representing the past and desire, the drive for a future. Underneath these mirrored imageries lie many stories about limits, freedom and self-perception.

WIRED People Project: The LoversArthur Gallice & Hervé Orgeas, Shanghai/Washington, D.C.
Location: Under Wisconsin Avenue Bridge, just south of M Street

Drawing inspiration from calligraphy and its philosophy, WIRED People Project: The Lovers is a series of portraits that are hand-drawn with uninhibited brushstrokes expressing an emotion caught in time. This series has been developed in both print and sculpture. For Georgetown GLOW, Orgeas and Gallice have worked closely to introduce an experiential, lighting element to the sculpture. The result is an installation that tells the story of two lovers who meet each other at night…under the historic Wisconsin Avenue Bridge (Washington’s oldest bridge).

Intr(É™)Scapes , SHO + ULR (Pittsburgh/Gainesville, FL/Boston)
Location:  The Foundry Building Plaza, adjacent to the C&O Canal at 1055 Thomas Jefferson Street
Sponsored by The JBG Companies 
Inspired by swaying prairie grasses, Intr(É™)Scapes is an interactive light installation that invites visitors to explore and immerse themselves within its dynamic lightscape. A total of 480 eerie, glowing acrylic stalks are lit by RGB LEDs embedded within a CNC-fabricated synthetic landscape. Tracked via an infrared imaging system comprised of custom hardware and software, visitors’ movements are reflected in waves of colored light animations that shift and churn with every step. The inherent flexibility of the acrylic stalks helps them to react naturally to self-weight, air movement, and human touch, embodying and tracing the kinetic energies and latent forces present within the environment.

A Happy Place, Kelly TowlesWashington, D.C.
Location:  Jefferson Court office building courtyard, 1025 Thomas Jefferson Street at K Street
Sponsored by The JBG Companies 
Note: This work will be shown from 7-9 p.m. nightly.
Towles, an artist known for his colorful, large-scale murals whose work has been shown at Washington’s David Adamson Gallery and in commissions throughout the city, ventures into video and light projection with Happy Place. The work is an animated version of the artist’s world, bringing to life his creative processes and transforming his typically painted works into motion and form. The work marks a new interaction with Towles’ “canvas” of facades, windows and walls, and invites viewers into his Happy Place.





iGlow, HiJAC (Hiroshi Jacobs)Washington, D.C.
Location:  Grace Church lawn, 1041 Wisconsin Avenue
iGlow is a corridor of light that puts its occupants on display, pixelating their image to express an analog digitization of motion. The corridor is lined with lights on one side and a perforated screen on the other. As you make your way through, the sculpture’s exterior translucent surface displays the activity within. The commotion of activity inside creates an ephemeral expression of life on the outside.

ARTISTS’ TALK
Saturday, December 12, 4:30-6 p.m. Doors, 4:30 p.m.; program begins at 5 p.m.
Hickok Cole Architects, 1023 31st St., NW.
Meet & greet with the 2015 Georgetown GLOW artists and learn about their light-art installations. This program is FREE and open to the public; space is limited and RSVPs are suggested at www.GeorgetownGLOWDC.com.

The Georgetown Business Improvement District (BID) recognizes the following sponsors for their generous support of Georgetown GLOW 2015: The JBG Companies, Jamestown/Georgetown Park, The Washington Harbour Ice Rink, HOK Architects, Hickok Cole Architects, AIR (American Institutes for Research), RB Properties, Inc., Sea Catch Restaurant, Jaguar/Land Rover, The Georgetown Current Newspapers, Grace Episcopal Church, Georgetown Suites, and Think Out Loud Productions.

About the Curator
Deirdre Ehlen MacWilliams is a public art expert and curator whose projects have included the DC Commission on the Arts & Humanities’ 5x5 program, Foggy Bottom Sculpture Biennial, the Downtown BID’s Art All Night Festival, and Arlington, VA, public art initiatives.   

About the Georgetown Business Improvement District
The Georgetown Business Improvement District (BID) is a nonprofit organization dedicated to protecting and enhancing the accessibility, attractiveness and overall appeal of Georgetown. Established in 1999 by its property owners and merchants, the Georgetown BID has more than 1,000 members. The organization is located in the heart of Georgetown in Washington, D.C. and sets a standard of excellence in preserving historic charm while meeting contemporary needs. From marketing and special events, to transportation, economic development, destination management and streetscape, the Georgetown BID contributes to the vitality and quality of life in Georgetown. For more information, visit georgetowndc.com.

 

Images:
Page two:
Jason Peters, The Glow at Jefferson Court (2014). Photo Sam Kittner/courtesy of the Georgetown BID.
Page three:
Laia Cabrera, Shifting Gaze. Rendering courtesy of the artist.
Arthur Gallice and Herve Orgeas, WIRED People Project: The Lovers. Rendering courtesy of the artists.
SHO + ULR, Intr(e)scapes. Rendering courtesy of the artists.
Page four:
Kelly Towles, Happy Place. Image courtesy of the artist.
Hiroshi Jacobs, iGlow. Rendering courtesy of the artist.